MUSICAL TRADITION IN NASRUL-LAHI-L-FATIH SOCIETY (NASFAT): A CASE STUDY OF SHOMOLU BARIGA BRANCH

This study explores the unique musical traditions practiced within the Nasru-Lahi-il-Fathi Society of Nigeria (NASFAT), focusing specifically on the Somolu–Bariga branch. NASFAT, known for integrating spiritual devotion with structured Islamic practices, develops a distinct musical culture that blends Qur’anic recitations, rhythmic chanting, and devotional songs. The research aims to understand how these musical expressions shape worship, identity, and community engagement within the congregation. Through qualitative research methods—including in-depth interviews, participant observation, and musical analysis—this study investigates how music functions as a spiritual, social, and cultural tool within NASFAT Shomolu. Findings reveal that music in NASFAT serves multiple purposes: it enhances worship experiences, attracts youth participation, fosters community identity, and bridges generational gaps. The Shomolu branch, in particular, showcases a hybrid musical style that blends traditional Islamic elements such as dhikr and nasheeds with contemporary Nigerian music influences like Afrobeat and gospel rhythms. This synthesis not only reinforces spiritual values but also adapts Islam to the local cultural context. Despite its growing acceptance, the integration of music in NASFAT is met with theological ambivalence and gender-based constraints. The study concludes that the musical traditions in NASFAT Somolu–Bariga serve as a powerful medium for spiritual upliftment, communal identity, and cultural continuity. The branch’s adaptations of NASFAT music demonstrate how Islamic worship can harmonize with local cultural expressions without altering core doctrines. These findings contribute to broader discussions on contemporary Islamic musical practices in Nigeria and offer insight into the evolving relationship between religion, culture, and music in urban Muslim communities.