A DISCOURSE ANALYSIS OF ISIAKA ALIAGAN’S OBA MAMA
Abstract
ABSTRACT
This research undertakes a discourse analysis of Isiaka Aliagan’s Oba Mama, employing a prominent discourse theory based on J.L. Searle’s (1969) speech act theory. The study aims to examine the use of various speech acts within the play, utilizing a thorough identifying method to extract a total of 55 speech acts for detailed analysis. The findings underscore the significance of different speech acts including expressive, commissive, directive, declarative, and assertive in shaping the interactive and communicative dynamics of the play. The analysis highlights how these speech acts contribute to character development, plot progression, and the conveyance of cultural values. Ultimately, the study emphasizes the vital role of speech acts in constructing meaning and fostering engagement within theatrical discourse.
Full-Text Access Notice
In accordance with the NERD Policy on promoting peer-reviewed publication, public access to the full text of a project, thesis or dissertation is restricted for three years, allowing the author and supervisors sufficient time to pursue peer-reviewed publication.
During this period, researchers with legitimate academic or research purposes may request authorisation directly from the author to enable NERD to release the indexed full texts of the work using the form below.