HISTORY AND DRAMATIC IMAGINATION IN AHMED YERIMA’S ATTAHIRU

ABSTRACT This study explores the interplay of history and dramatic imagination in Ahmed Yerima’s play Attahiru. It emphasizes how the dramatization reconstructs Nigeria’s colonial past and resistance movements to foster cultural memory and national identity. Grounded in postcolonial theory and concepts of cultural nationalism, the research analyzes Yerima’s use of theatrical techniques, such as characterization, symbolism, proverbs and stagecraft, to depict the heroic resistance of Sultan Attahiru and the broader socio-political dynamics of colonial invasion in Northern Nigeria. The study demonstrates how Yerima blends historical facts with fictional elements, what is termed “faction”, to create a compelling narrative that educates and inspires contemporary audiences about Nigeria’s resistance against imperialism, challenging distorted colonial narratives and emphasizing themes of religious fidelity, leadership, and cultural resilience. The play exemplifies the power of drama as a medium for preserving history, fostering ethnocultural pride, and encouraging reflection on postcolonial identity and sovereignty.