AN INDIGENOUS ECO-CRTICAL ANALYSIS OF JAGUN JAGUN
Abstract
This study analyzes the film, Jagun Jagun through eco-scenography, exploring the link between Yoruba cosmology and ecological awareness in indigenous cinema. It identifies eco-scenographic elements, evaluate their cultural significance, and examine how theses elements such as landscapes, animals, and weather convey ecological themes. The qualitative method was employed, involving detailed scene analysis and both primary and secondary sources. The study, grounded in Indigenous Ecocriticism, the reveals that Jagun Jagun presents nature as an active participant, with trees, animals, water, and weather symbolizing deeper spiritual meanings. The film highlights sustainable production practices and emphasizes the role of Yoruba cosmology in environmental stewardship. The study concludes that, Jagun Jagun promotes ecological awareness while preserving cultural integrity, serving as a model for indigenous and eco-conscious filmmaking.
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